https://www.fatfish.media/blog daily 1.0 2026-05-02 https://www.fatfish.media/blog/behavorial-economics-in-design monthly 0.5 2026-05-02 https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/037ec82e-c3b8-4f86-9b13-7604627e2460/Screenshot+2026-05-01+at+10.02.02%E2%80%AFPM.png blog - BEHAVORIAL ECONOMICS IN DESIGN - Make it stand out In this screenshot, Apple highlights the action button in blue while giving the option to exit out in usual grays or whites to show the opposite effect. https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/974d0494-2d6a-4b24-9455-f3bb6792ce01/Screenshot+2026-05-01+at+10.08.37%E2%80%AFPM.png blog - BEHAVORIAL ECONOMICS IN DESIGN - By placing the text box at the top of the feed, Twitter subtly pushes users toward creating content before scrolling passively. This is behavioral economics in action: the user is more likely to post because the interface makes posting the easiest visible action. https://www.fatfish.media/blog/the-internet-freedom-or-manipulation monthly 0.5 2026-05-02 https://www.fatfish.media/blog/music-stimulation-and-the-wandering-mind monthly 0.5 2026-05-02 https://www.fatfish.media/blog/what-does-it-mean-to-conduct-graduate-level-work monthly 0.5 2026-05-01 https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/9785522b-3d40-49d6-9800-c8a58954b336/UNE+Online+Diagram blog - What does it mean to conduct grad-level work? - Make it stand out University of England (UNE Online Diagram) https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/6fbf3b25-31d6-4ff2-ab9f-fd2525686dd0/this+is+your+life blog - What does it mean to conduct grad-level work? - Make it stand out this is your life illustration https://www.fatfish.media/blog/soft-armor-a-girls-beauty monthly 0.5 2026-05-02 https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/1fe39cd9-2792-4484-a793-2f2a4e73790d/Screenshot+2026-05-01+at+9.38.10%E2%80%AFPM.png blog - soft armor: a girl’s beauty - Our story begins with a wisp of chiffon -light, pink, and barely there. It twists like smoke and takes on any shape it covers. The folds of fabric move like thoughts, looping and folding over themselves. In it lies her first layer of defense: beauty as distraction. It conceals what’s underneath -not deceitfully, but fearfully. As Berger (1972) explains in Ways of Seeing, women are often conditioned to view themselves through the eyes of others, becoming both the observer and the observed. Her softness is not vanity; it is survival, shaped by a gaze that demands she remain contained and pleasing. https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/01c624bc-81c8-4528-9bbb-07fafae751a4/Screenshot+2026-05-01+at+9.39.15%E2%80%AFPM.png blog - soft armor: a girl’s beauty - The scene is intimate -almost too close -showing both beauty and vulnerability in motion. The bee burrows deep within her bloom, dusted in the very pollen it came to take. To others, she is the bloom: bright, sweet, and open. But to her, each touch feels like intrusion, every compliment another sting. Still, the bee does what it must. She feels it as both creation and consumption: to be alive, she must let something in, even if it leaves her marked. https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/fd2cd34a-720f-4bf4-89b8-aa3daba74dd4/Screenshot+2026-05-01+at+9.40.19%E2%80%AFPM.png blog - soft armor: a girl’s beauty - Her thorns. Sharp and deliberate, they grow from her surface like instinct. She does not mean to be cruel, only cautious. Their pale green hue contrasts the softness of petals, and their symmetrical pattern suggests intention with control. She calls this her recklessness, though really it is self-preservation and harm. Mulvey (1975) describes this phenomenon as part of visual culture’s tension between object and subject: to avoid being seen as an object, the woman often constructs barriers of resistance. Her thorns are her refusal to remain ornamental. https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/2c7776d1-da5c-4eaa-8443-580477837c9f/Screenshot+2026-05-01+at+9.41.38%E2%80%AFPM.png blog - soft armor: a girl’s beauty - The Monet-like archway of wisteria and light paints her illusion of safety. The cascading flowers blur into pastel shades, creating a space too beautiful to be true. It’s how she sees herself when she pretends everything is fine. She indulges in what feels like a dream. Only existing within this space because it feels gentle, but it’s also lonely. The illusion of green, the softness of paint, the abundance of petals, suggest how easily we can lose ourselves in what we build to hide behind. https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/0d1cb4b0-b4d0-46a7-a6eb-86c69a2c8e48/Screenshot+2026-05-01+at+9.42.46%E2%80%AFPM.png blog - soft armor: a girl’s beauty - The sinking sun feels like a quiet acknowledgment that beauty, too, must end. In its fading glow, then does she realize that even endings can be gentle and she can move on from this moment. -- -- -- -- -- -- -- https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/04c148e1-9c42-45ef-a206-f14b2e5e72ae/Screenshot+2026-05-01+at+9.43.55%E2%80%AFPM.png blog - soft armor: a girl’s beauty - Then comes the moment of confrontation. A girl stands before a brownstone building, her face hidden by an explosion of flowers. Each stem, each petal, overflows from her arms, a bouquet too grand to hold. The flowers are stunning, but they consume her. Her identity vanishes beneath their weight, and she hides behind her own beauty so completely that she becomes invisible. https://images.squarespace-cdn.com/content/v1/69c5bfa8f6e7b504c8173b78/3c588d29-3ab3-4ffa-9e21-d26aa48ec539/Screenshot+2026-05-01+at+9.45.03%E2%80%AFPM.png blog - soft armor: a girl’s beauty - Radiance floods the frame with pinks, gold, and greens converging into one burst of illumination. The details are no longer restrained; they glow, pulse, and expand beyond their borders. ‘A Forest Birth’ by Parker Parrella. 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